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Baileys Women's Prize for Fiction 2014 Longlist

10th March 2014

Baileys Women's Prize for Fiction 2014 Longlist

Set up in 1996 to celebrate and promote international fiction by women throughout the world to the widest range of readers possible, the Baileys Women’s Prize for Fiction is awarded for the best novel of the year written by a woman.


Any woman writing in English – whatever her nationality, country of residence, age or subject matter – is eligible.


This year’s longlist, revealed on the eve of International Women’s Day 2014, honours both new and well-established writers, featuring six first novels alongside two previous Orange Prize winners; Chimamanda Ngozi Adichie who is longlisted for her third novel, and Suzanne Berne longlisted for her fourth novel.


One author appearing on this year’s list has previously been longlisted for the Prize and a further five authors have been shortlisted.

The winner will receive a cheque for £30,000 and a limited edition bronze known as a ‘Bessie’, created and donated by the artist Grizel Niven. Both are anonymously endowed.


The winner will be announced at an awards ceremony to be held in The Clore Ballroom at the Royal Festival Hall on 4th June 2014.


Chimamanda Ngozi Adichie - Americanah

Margaret Atwood - MaddAddam

Suzanne Berne –  The Dogs of Littlefield

Fatima Bhutto - The Shadow of the Crescent Moon

Claire Cameron –  The Bear

Lea Carpenter - Eleven Days

M.J. Carter - The Strangler Vine

Eleanor Catton - The Luminaries

Deborah Kay Davies - Reasons She Goes to the Woods

Elizabeth Gilbert - The Signature of All Things

Hannah Kent - Burial Rites

Rachel Kushner - The Flamethrowers

Jhumpa Lahiri - The Lowland

Audrey Magee - The Undertaking

Eimear McBride - A Girl Is A Half-Formed Thing

Charlotte Mendelson - Almost English

Anna Quindlen - Still Life with Bread Crumbs

Elizabeth Strout - The Burgess Boys

Donna Tartt - The Goldfinch

Evie Wyld - All The Birds, Singing


Previous winners include A.M. Homes for May We Be Forgiven (2013), Madeline Miller for The Song of Achilles (2012), Téa Obreht for The Tiger’s Wife (2011), Barbara Kingsolver for The Lacuna (2010), Marilynne Robinson for Home (2009), Rose Tremain for The Road Home (2008), Chimamanda Ngozi Adichie for Half of a Yellow Sun (2007), Zadie Smith for On Beauty (2006), Lionel Shriver for We Need to Talk About Kevin (2005), Andrea Levy for Small Island (2004), Valerie Martin for Property (2003), Ann Patchett for Bel Canto (2002), Kate Grenville for The Idea of Perfection (2001), Linda Grant for When I Lived in Modern Times (2000), Suzanne Berne for A Crime in the Neighbourhood (1999), Carol Shields for Larry’s Party (1998), Anne Michaels for Fugitive Pieces (1997), and Helen Dunmore for A Spell of Winter (1996).